It has been almost a year since Processes of Remediation: art, relationships, nature opened at the University of Lethbridge Art Gallery....

Video still. Hag's Taper, 2020, Alana Bartol, HD, 3:07. Exhibition January 22 - August 26, 2021 "Processes of Remediation: art,...

Westslope Cutthroat Trout (canary in the coalmine), Alana Bartol. Participatory artwork, 2020-ongoing, milk on paper, 22.86 x 30.48 cm,...

We launched a video sharing some of my research and work in progress for this project and the upcoming exhibition. You can watch it above...

Seeds for Grassy Mountain and Plants for Grassy Mountain are artworks created for the upcoming exhibition entitled Processes of...

Eastern Edge Gallery recently invited me to participate in Fancy Artist Talks as part of their online 24 hr Art Marathon. I previously...

This is a new series of charcoal drawings I have been working on using frottage to capture the textures of coal chutes in abandoned...

Vegetation grows throughout the Greenhill Mine Complex: trees, wildflowers, lichens, and vibrant green mosses growing despite what has...

With an inadequate recovery strategy and little action being taken to recover the WCT or protect the waterways that will be impacted, the pr

To pick up where I left off in my last post, I have been visiting abandoned coal mine sites in the municipality of Crowsnest Pass which...

Since I began working with dowsing in my artwork, my research introduced me to the life and work of Martine de Bertereau (dob estimated...

Photograph from the Galt Museum & Archives, 1855-1950. 18 x 12.7 cm. Photographer unknown. Miner's Paraphernalia showing canary cages,...

I come from a long line of water-witches. In 2013, I learned that my mother’s family has long been regarded for their water-witching...